photo from new mexico magazine Photographs by Jay Hemphill.
https://remezcla.com/culture/new-mexico-bookstore-starts-book-drive-immigrants-border/
https://www.usnews.com/news/best-states/new-mexico/articles/2020-01-04/latina-author-organizes-book-drive-for-migrant-families
Dear Reader,
I met Denise in
Pueblo, Colorado many years ago at a Latino Writer’s Workshop. She was the
headliner for an audience of Latino writers and the community of Pueblo. I
admit, I had not remembered her name nor that I had read a story she had
written in an anthology in my Ethnic Literature course. She introduced herself
to me at my table at the workshop.
I had set up my
books to sell and had decorated my space with fresh flowers and vegetables from
my garden. She explained to me that my table would draw more attention to book
buyers if I used a colorful tablecloth instead of the white cloth and if I used
varying heights with boxes to elevate my visual of decorations. She showed me
how to utilize my space and made it more colorful and festive. She worked the
room meeting and greeting everyone with grace. I will never forget the kindness
she showed me and her generosity. I knew I had just met someone I would love
and admire all of my life.
I was mesmerized
by her mastery of the stage. Most writers read from the books they’ve written
to the audience. Denise recited from memory excerpts from her novel like a
Shakespearean actor. I didn’t know at the time her list of accomplishments
included acting, directing, and writing plays.
A Chicana icon helping me, a Chicana poet,
with my table to sell my books. She graciously allowed me to take a photograph
with her. A photo I treasure. As we parted that day, she extended an invitation
to visit her bookstore, Casa Camino Real, in Las Cruces, New Mexico. I went
home and felt rejuvenated and began to plan a trip to visit her.
I attended a
writing workshop she offered the next summer and asked permission to interview
her for the writer’s blog I write for The Stiletto Gang. She agreed and I
arranged a road trip to drive to the border with my dear friend/sister, Dr.
Judy Noel. It was an epic road trip that had many adventures and made me
realize that I can do anything I set my mind to do. I drove ten-hour days from
Southern Colorado to Southern New Mexico.
As I read this
memoir, I felt happy/sad. I missed my parents and the memories came flooding my
brain with both good and bad times. Her memoir reveals her past, her childhood,
her parents, and their beauty and grace as well as their humanity. It’s a story
I related to.
Denise’s family
stories took me to my childhood to my memories and made me appreciate my
parents and all the love they had given me. The lessons they taught me. Both my
parents were excellent cooks and gardeners and have handed down their family
recipes to me. I plan on writing my memoirs and including those recipes like
Denise did in her memoir, A Taco Testimony. Denise gave her mother’s
taco recipe the title of Tacos a la Delfina.
There are many
cultural differences between Southern Colorado and Southern New Mexico recipes.
Her mother’s tacos are not my mother’s tacos. But I gave the recipe a try and
understand why she raves over her mother’s tacos. They are very delicious.
Other writers
have praised this book: Luis Alberto Urea, author of The Hummingbird’s
Daughter wrote, “Muy sabroso? There is much on the menu in this feast of a
book…good eating, a warm meditation on family and identity, and a darker tale
nimbly suggested between the bright lights and happy music. Denise Chávez is a national
treasure, and this volume will delight her fans and entice new readers. Buen
gusto, amigos.”
The New York
Times Book Review wrote simply, “Spicy storytelling.” And Sandra Cisneros
author of The House on Mango Street said, “Delicious!”
My review of her
memoir comes from the heart. After meeting Denise that fateful day and visiting
her and interviewing her for an hour in the sweltering heat in July in her
adobe bookstore, we met at my motel and she introduced me to her husband,
Daniel. I introduced her to Judy my dear friend who rode with me on this
adventure. We had a lovely time chatting in the lobby and laughed and shared
stories.
Since that day,
I have kept in touch with Denise and she has mentored me in my writing and in
my life. She works at the border with asylum seekers and also raises money for feral
cats in her hometown. She has the strength and energy of someone much younger
than her age, but she has something magical in her spirit: love, joy, sympathy,
and determination to make the world better. She does this quietly, but if you
google her you will find that she has been an activist all of her life. She has
worked with the great writers and playwrights, directors, and still takes time
out of her busy schedule of attending workshops, speaking engagements, writing,
selling books, helping immigrants at the border, feeding and providing
healthcare for feral cats, to mentor someone like me, a pocha from Southern
Colorado. A pocha is a Chicana who doesn’t speak Spanish.
She included
photos of her family in her memoir and the resemblance of Denise and her
mother, Delfina, blew my mind. I had to read the list of photographs to tell
her and her mother apart. They are easily two of the most beautiful women I
have ever seen. But the beauty is not superficial it is a radiance from within
that shines off the page and into your heart.
Denise tells a
captivating story of her family including the heartaches and the joys. The recipes
and photos bring an element to her story of family tradition and culture. She
writes about the border as well and educates the reader to the plight of the
immigrants. “I know borders, real and imagined. I know what it is to have the
rabia/anger, the unmitigated rage well up and then subside, wondering how I
will enunciate my rights yet another time. Will I be waved away, dismissed or
interrogated? ‘American citizen,’ I hear myself say in a faraway voice. ‘I am
an American citizen.’ There are so many things I hate about borders. I can’t
begin to articulate the disgust and sadness when I see the ever-changing sign
at the immigration roadblock that tallies the yearly count, ‘1,457 alien
removals.’ I hate the poverty and the class structure that cause men, women and
children to cross the border in desperation.”
She works
tirelessly to help those less fortunate and gives me hope for human beings. She
writes about her mother’s social activism, “She was civic minded, caring about
the least important person and as a result of this, we were always going out of
our way to help strangers. She helped drunks come in from the cold; she picked
up hitchhikers at all hours of the day and night; she brought strangers home to
stay with us. There were too many old ladies in our lives, and we were always visiting
one nun or another…My mother’s goodness was bothersome to me, a spoiled,
restless girl. And now, in retrospect, I wouldn’t trade for anything those days
of wandering the streets and cerritos of Juárez with my over-zealous Mother as we carried seemingly
endless bags of clothing up little hills and inside dark houses.”
I understand why
Denise cares so much for others. Her mother taught her to always take care of
the less fortunate and share what you have even if it’s only a taco. This
memoir spoke to me about love, family, culture, and social activism in a time
of a deadly global pandemic when the world could use a little love and kindness
for each other. I hope you enjoy her book as much as I did.
I purchased
copies for my nieces so they could read about a real Chicana icon, a social
activist, a kind and loving woman who shares her stories with us and reminds us
to be kind to one another. I hope you order her books and try her recipes and enjoy them both as much as I do. You can reach her at
Casa Camino Real
Las Cruces, NM, U.S.A. 88001
314 S. Tornillo Street
+1 575-523-3988
Sometimes weather can have a direct effect on the setting of a story. If an author wants to have a isolated location, where characters cannot easily come and go, weather is one method to provide it. For example, a Nor’easter in Maine may prevent characters from coming and going to a place that might normally have fluid movement. It can be a great way to limit the number of people who are involved in the story, or give an automatic set of suspects.
