The Bad Old Days

In addition to her award-winning archaeology mysteries, Dana Cameron’s Fangborn short story, "The Night Things Changed," won the Agatha and Macavity and was nominated for an Anthony Award. Her historical short story, "Femme Sole," appears in BOSTON NOIR and an historical Fangborn story, “Swing Shift,” will appear in CRIMES BY MOONLIGHT (April, 2010). Dana lives in Massachusetts and you can learn more at www.danacameron.com.

In between gatherings with family and friends, we spent the end of this holiday season as we traditionally do: flaked out on the couch, eating too many chocolate shortbread cookies and drinking just enough whiskey, while watching whole seasons of serial drama. Last year, Rome was the focus of this marathon. This year, it was Deadwood, The Sopranos, and Mad Men. Criminal behavior set in the past (even seen through flashbacks) makes for a fine time, even if it meant our new shelter kittens Kaylee and Zoë learned some exceedingly bad language.

One of my most memorable moments as an archaeologist was the day I was working on a 17th-century house site. The guides would lead groups of visitors past, and usually they'd ignore me, pretending perhaps I was an over-sized and grubby garden gnome. Or maybe a vole. On this particular day, a woman gazed at me dreamily and said, “Wouldn't you love to have lived back then?”

My first instinct was to say, “Lady, are you kidding me? Potential attacks from pirates, Europeans, andIndians? Rampant epidemics battled with medieval medicine? Limited legal rights for women? And that's before you consider what this waterfront would have smelled like back then. Alex, I'll take the category “Things That Make A Seagull Retch” for $100, please. Rotting fish, garbage dumped outside, oil lamps, and privies? I think not. Give me indoor plumbing, electricity on demand, and antibiotics any day.”

Being a well-behaved garden gnome, I said, “The past is a nice place to visit, but I wouldn't want to live there.”

Apparently, that was not concession enough; she looked disappointed. She clearly believed the good old days were better than these, that big skirts + petticoats + horse-drawn carriages = fine manners, crossed legs, and decency. To quote the Bart: Au contraire, mon frere. Do some spelunking through the court records of the era, and you'll see what I mean. Better yet, check out The Naked Quaker. This splendidly fun book runs down some of the highlights of 17th-century New England police blotter: violent fisticuffs in church, highwaymen, sex scandals, theft, cheating, witchcraft. I mean, it might as well be an episode of Maury.

Romanticizing the past is one of my pet peeves. It's something I frequently invoked in my Emma Fielding novels, and more recently, in my short stories. “Femme Sole” (in Boston Noir) is set in 1740s Boston. Anna Hoyt owns a North-End tavern and all the local toughs—including her husband—want a piece of it. I chose the setting because I'd never written noir and didn't want to sound like I was imitating Cain, Hammett, or Chandler (or Lehane, Pelecanos, Abbott, or Lippman), so I put my story a bit further back into the past. To me, noir isn't restricted by time or place; it's a story wherein people who live outside the law have to find their own solutions to life-and-death problems. I also wanted to see how a woman at that time might respond to the threats to her livelihood.

The story coming out in April is part of the MWA anthology Crimes by Moonlight. "Swing Shift" features elements from my “Fangborn” world. It's also set in historic Boston, but this 1940s Boston is full of vampires and werewolves, as well as Nazi spies, jazz, and nascent computer technology. Greed, crime, and secrets are as old as humankind.

The bad old days are familiar to mystery readers. From Didius Falco to Benjamin Weaver to Amelia Peabody to Paddy Meehan—who are your favorite historical detectives?

(Thanks to Maggie Barbieri and the Stiletto Gang for inviting me!)

Dana Cameron
www.danacameron.com