I got into bed last night and was happy to see that one of
my favorite movies—“Unfaithful”—was on.
You remember it: it’s the one
that stars Richard Gere and Diane Lane as happily married suburbanites whose
world is rocked by the affair that Lane embarks upon with a very sexy French
bookseller. As I watched the movie, I was struck by a few things, namely that:
* Richard Gere is sixteen years older than Diane
Lane yet we believe completely in that fact not being an issue in their marriage.
* It was so windy the day that Diane Lane first
goes into the city that she is knocked down, skins her knees, and can hardly
walk upright for fear of that happening again.
That’s some wind, people.
* After skinning her knees, she willingly goes
into the apartment of the sexy French bookseller to get bandaids. And doesn’t get killed.
* Such a thing exists as a “sexy French
bookseller.” Who owns an apartment that
is approximately six-thousand square feet and filled with as many books as my
son has soccer socks. (It’s a thing now,
soccer socks. I had no idea.)
* Richard Gere is hardly suspicious when Diane
Lane says she’s going into the city day after day wearing nothing but a little
black dress and sling-back stilettos.
Well, I guess I can cut him some slack.
If my husband saw me dressing that way, day after day, he would just
assume that there had been a spate of deaths in our circle and that I was
attending a lot of funerals. Never would
it cross his mind that I was having an affair with a sexy French
bookseller. He knows I’m way too tired
for that.
Those are just a few of the things that you have to get past
in order to enjoy the movie, and trust me, I did both get past them and enjoy
the movie. As a matter of fact, every
time Diane Lane decides to go into the sexy French bookseller’s apartment to
get the bandaids, I scream, “Don’t do it!
You’re married to Richard Gere!” but she doesn’t listen. She goes in every single time.
But watching the movie was informative because it got me
thinking about what we do as writers, and how far we push
things—realistically—in the name of the story.
More to the point, how far can we go with the details before the reader
is scratching his or her head and saying “That would never happen”? Pretty far, I imagine, if “Unfaithful” is any
indication.
Several years ago, I was minding my own business when I saw
flashing lights outside my house. Since
I was the only person home on the street, I went outside to investigate and was
told by the responding officer that the station was receiving 911 from inside
the vacant house next door. I assured him no one lived in the house and took
him for a tour around its perimeter.
Satisfied that this seemingly normal housewife/mystery writer was
telling the truth, he drove away.
Let me repeat: HE
DROVE AWAY.
I put that story—truncated here—in a book and got some
comments. “That would never
happen.” “Cops would never drive
away.” “What if you were doing something
wrong? Why didn’t he ask you any
questions?”
All good comments. I
asked myself the same things.
Turns out that there was an electronic malfunction in the
home’s existing phone service. However,
what if that wasn’t the reason? What if I had attempted to murder the upstairs
tenants before they left? What if one of
them was still alive and trying to alert the police?
I think part of the enjoyment of any story, be it a mystery
or a thriller or a family drama, is suspending disbelief. I tell that to my friends who find my
upcoming thriller—ONCE UPON A LIE—so dark that they are scared to be around
me. “Suspend disbelief,” I tell
them. “Pretend that someone who looks
like me—happy, friendly, unsuspecting—could write a book about abuse and
murder. Pretend that some of the things
that happen in the book could happen in real life. And then enjoy the read.”
Strange things happen in the world. Three women can be abducted and go missing
for ten years, just blocks from where they lived previously. A seemingly innocent school bus driver could
harbor a predatory nature so gruesome that even his neighbors—who enjoyed
barbecue dinners with him on pleasant sunny nights—never would have guessed
what went on inside the house. The world is full of unbelievable stories.
And it’s our job to make them believable, enough to keep a
reader guessing or up at night wondering how such luridness could come out of
someone’s brain.
But back to the movie.
“It was a dark and stormy day and happily married Constance begins a
torrid affair with a swarthy Frenchman.”
On paper, it doesn’t sound so great.
But in the hands of the right actors—namely someone as gifted as Diane
Lane—the story becomes believable. The
right writer can do the same thing and hope that you, the reader, doesn’t have
to suspend so much disbelief as to scratch your head when you finish the book.
I’ll end this now. I
have to figure out how to ruin someone’s life so as to teach him a really good
lesson. On the page. In my book.
And then later, if it’s not too windy, I’ll go buy broccoli.
Maggie Barbieri
