Wednesday, March 13, 2019

Cross Genre

by Bethany Maines

Cross-genre.  You’ll hear the term a lot in writing circles.  But what is it?  It’s book that melds the elements of more than one genre together.  Books are coded by something known as a BISAC code that allows libraries to appropriately shelve a book and search engines to find it.  The list is extensive and usually books can have two BISAC codes.  (You can check out the list for fiction here: bisg.org/page/Fiction But be warned—it’s extensive!)

My forthcoming book Shark’s Hunt, book #3 of the Shark Santoyo Crime Series, can appropriately be filed under FIC031010 FICTION / Thrillers / Crime, but it’s possible that it could be filed under FIC027260 FICTION / Romance / Action & Adventure or FIC022000 FICTION / Mystery & Detective / General.    Or I could just go for a broad category and label it: FIC044000 FICTION / Women.  Am I the only one who finds it odd that women are a category of fiction?  There isn’t a category for Men.  Or is all fiction assumed to be men’s fiction and we need to let people know that this book over here is just for women? Seems odd, but we’ll just leave that one alone for now.
But beyond the BISAC codes, which while useful, are not the end all definition of a book, there is marketing and that’s where things get persnickety.  An author and a marketer need to be able to tell and sell someone on a book in 30 seconds or less. 

The Shark Santoyo Crime Series is a witty, romantic saga about a violent suburban underworld. Shark Santoyo and Peregrine Hays are the Romeo and Juliet of the criminal set and they are determined to find justice, revenge, and true love. There’s just an entire mob and a few dirty FBI agents in the way.

So from my “elevator pitch” you should know that there’s going to be violence, romance, crime, and a touch of humor.  But all of those things are hard to encompass in a single book description and a cover.   Which is why you’ll see cross-genre books “pushed” toward one genre.  There’s a girl in the book – make it sexy on the cover!  Don’t mention the humor – humor doesn’t sell!  On the other hand, when a book succeeds you’ll hear people knowingly say, “Well, it’s really cross-genre.”  Of
course, it’s cross-genre! No book is ever one thing entirely. It’s as though an author just can’t win. 

On the other hand, if you think cross-genre witty, romantic saga about a violent suburban underworld sounds fun, then check out Shark’s Instinct and Shark’s Bite and pre-order Shark’s Hunt today.

***
Bethany Maines is the author of the Carrie Mae Mystery Series, San Juan Islands Mysteries, Shark Santoyo Crime Series, and numerous short stories. When she's not traveling to exotic lands, or kicking some serious butt with her fourth degree black belt in karate, she can be found chasing her daughter or glued to the computer working on her next novel. You can also catch up with her on YouTube, Twitter and Facebook.

Tuesday, March 12, 2019

Something Rotten in Denmark

By AB Plum

Smell is one of the least used elements in writing fiction. Interestingly, many scientists believe smell is our most primitive sense and can instantly generate deep memories and emotions.

Capturing smells, however, is hard. Yet, in nearly every book I’ve written, I try to tap into smell as a portal into characters’ pasts and into their feelings.

Since I like a challenge, I decided to introduce smell very early in my latest WIP. My goal is to show a strong conflict between the Main Character and her lover. He’s addicted to popcorn--the more butter, the better. She, having popped a ton in the vintage popper she gave him as a birthday gift years ago, fights gagging on the buttery fragrance. Well, she thinks stink.

So, why did I choose popcorn over grilled steak? Or baking brownies? Or fresh roses? Or just-squeezed lemons? Or dirty socks? Or cologne? Or Brussel sprouts? Or millions of other smells?

Answer? From my own memories of weekly trips to my great-grandmother’s house. Spring, summer, winter, or fall, almost as soon as my mother, sister and I arrived, Grannie went to the kitchen and popped a huge pan of popcorn. Sprawled on the floor on my stomach, I ate, listened to the grownups gossip, and felt so loved because Grannie never forgot to make this just-for-me treat.

The fragrance of corn popping brings an instant collage of me and my five siblings scarfing popcorn in front of the TV on Saturday nights. Squabbling over where to set the pan. Claiming, as the oldest kid, the right to hold the pan and mete out servings. Crunching the “old maids.” Feeling comforted by the ritual of using the special pan, having patience while the oil melted, measuring the popcorn, shaking the contents, and then pouring it into the bowl and topping with butter. TV without popcorn? A big waste of time. (I like to think I learned a few life lessons).

Today, a good book is my favorite popcorn-side dish. I’d rather eat cardboard than eat air-popped corn. Same for packaged, pre-popped corn sold in supermarkets. Movie-popcorn--well, the fragrance of the corn popping--ranks as near edible because of all the memories of going to matinees and spending my dime on the tender, fluffy kernels.  (I know the earth is round, and I know that modern movies no longer use the Iowa-grown, hybrid stuff I grew up on).

As for storage, we always kept our unpopped corn in five-pound coffee cans. Still do. Moisture, doncha know? And OBTW, yellow is the popcorn of true aficionados. 

What about you? What’s your favorite smell? What memories and feelings does the smell evoke?


**** AB Plum, aka Barbara Plum, writes dark psychological thrillers and whodunnits, along with light paranormal romance in Silicon Valley. A bowl of popcorn often sits next to her computer for inspiration.





Friday, March 8, 2019

It's a Small World

IT’S A SMALL WORLD by Debra H. Goldstein

Recently, I had the privilege of being a panelist at Murder in the Magic City (Birmingham, Alabama) and Murder on the Menu (Wetumpka, Alabama). Both are excellent small regional mystery events.

Murder in the Magic City, spearheaded by author Margaret Fenton, is held at the Homewood Public Library each year on a Saturday in February. It usually draws about one hundred attendees (the capacity of the room) to hear two keynote speakers and three to four panels of other authors. This
year, the keynoters were Sue Ann Jaffarian and Lee Goldberg. The panel authors were J.D. Allen, Stella Bixby, V.M. Burns, Emily Carpenter, Steven Cooper, Matt Coyle, Hank Early, Angie Gallion, Tony Kappes, Leigh Perry (Toni L.P. Kelner), Linda Sands, Jason B. Sheffield, Carrie Smith, Christopher Swann, and me.

On Sunday, the entire group of authors caravanned to Wetumpka for the F.O.W.L. fundraising luncheon, Murder on the Menu. F.O.W.L, the sponsor, is an acronym for Friends of the Wetumpka Library. Held in Wetumpka’s Civic Center, it is a joy for the authors – not only were we served a delicious lunch began, but again we had an audience who were delighted to interact with us at their lunch tables and to listen to our panels. Of course, the most entertaining panel was Lee Goldberg and Sue Ann Jaffarian. As we learned, they often have been featured together and their wit, humor and genuine respect for each other was evident.

During the weekend, the authors had an opportunity to get to know each other. I personally found Sue Ann Jaffarian’s personal story to be the most interesting. Not only is she an acclaimed author, but since retiring after forty years as a paralegal, she has been traveling the country in Novella, an RV. She records her journey on Facebook, bi-monthly on Babble ‘n Blog and through a nightly blog or journal entry she posts at https://www.patreon.com/Sueannjaffarian This latter blog is followed by many, including fellow RV lovers.
That’s where the small world comes in.  While I was at the conference, I received an e-mail from a friend asking if I’d met Sue Ann and what she was like. My reply was “yes” and “lovely.” My friend, who owns the same kind of RV as Sue Ann (disclaimer: my friend lives in a house most of the time unlike Sue Ann), explained that she follows Sue Ann’s nightly blog and that she is a huge fan.
I shared the e-mails with Sue Ann, who immediately checked and saw they were online friends. That evening, in her blog post, Sue Ann gave a shout-out to the weekend and my friend, by name, observing what a small world it is. I agree.


Thursday, March 7, 2019

Where Do We Get Our Ideas?

by Sparkle Abbey

People often ask authors where their ideas for particular books come from. And though it's quite different from author to author, one thing we've discovered from hanging out with other authors is that most have no problem coming up with ideas for stories. In fact, most of us have far more ideas than we'll ever have the time to write. Story ideas are everywhere.

Writers are innately curious and so a news story, a magazine article, even an obituary can spark a thought that turns into a possibility. The writer imagination is off and running and wondering what if. The news of the day may be a big fire at a local business. It could have been faulty electrical wiring, but the writer wonders what if it wasn't. What if there's more to the story? What if the fire was actually a cover-up?

Also writers are by nature observers. Yes, that's us sitting quietly in the corner of the room or the park. That couple holding hands while their body language says there's something else going on. What's their story? The three girls in a whispered conversation whose foreheads are almost touching. What secrets are they sharing? The elderly woman with her purse clutched tightly on her lap who keeps checking her watch. Who is she waiting for? And the guy in a dark suit that looks oddly out of place. He's too quiet. Is he an undercover cop? Perhaps a spy?

Or wait maybe the elderly woman is the spy. Would that be a great twist? The guy in the dark suit could be headed to a job interview. We imagine the three teen-aged girls in ten years. Will they still be friends? Still sharing secrets? What if they lose touch with each other? What if they don't?

See how it works? There is drama everywhere, and secrets, and stories. As writers we are sponges for the bit and pieces that are story sparks. We get to bring those stories to life and give them twists and change them around. Ideas are everywhere. 

Now that you know how it works, the only thing to remember is when you're having a conversation with a writer, and they get that far-away look, that there is a good chance they have spotted a potential story across the room and they're already coming up with ideas. Or the other possibility is that something you've said has been the spark, and you're the story idea.

Writers, is this how it works for you? Have you come across an interesting story spark that you've yet to write? Readers, how about you? Have you come across an idea that you thought would make a great story?

Do tell...


Sparkle Abbey is actually two people, Mary Lee Woods aka Mary Lee Ashford and Anita Carter, who write the national best-selling Pampered Pets cozy mystery series. They are friends as well as neighbors so they often get together and plot ways to commit murder. (But don't tell the neighbors.) They love to hear from readers and can be found on FacebookTwitter, and Pinterest, their favorite social media sites. 

Their most recent book is The Dogfather, the tenth book in the Pampered Pets series.

Also, if you want to make sure you get updates, sign up for their newsletter via the SparkleAbbey.com website.


Wednesday, March 6, 2019

Clicking Our Heels: animal Lover? Our Pets Over the Years


Clicking Our Heels – Animal lover? Our Pets Over the Years.
Monthly Clicking Our Heels Giveaway:
To enter for a chance to win the first three books of the Sparkle Abbey series or AB Plum's The Boy Nobody Wanted (2 winners will be selected this month) comment below on the blog. Good luck and happy reading! -- winner will be announced next Wednesday on The Stiletto Gang Facebook page - https://www.facebook.com/stilettogang 

Paula Gail Benson – Yes, I grew up with dogs and cats, all of them dear to me. My and work and travel keep me from having pets now, but I miss them.

Judy Penz Sheluk – I love animals. As far as pets, I’ve had 5 dogs: a Golden mix as a kid, and four Golden Retrievers as an adult. My current Golden, Leroy Jethro “Gibbs” is three.

J.M. Phillippe – I am definitely an animal lover. My cat Oscar (who passed away last year) was always the first to hear about all my plots and ideas. I think writers do better when they have an animal to talk things out to.

Debra H. Goldstein – After having had guppies and gold fish, my first serious pets were three turtles who I named Turk, Durk, and Lurk. Lord Silver Mist (Misty), a toy poodle and Casey (a bichon fries) won my heart and ruled the roost later.

Bethany Maines – I do love animals, but I’ve only had 2 dogs in my life. When I was a kid we had Chips, the Chocolate Lab. And now we have Kato the Rottweiler mix. Kato is such an adorable guy and such a big mama’s boy that I don’t know what I will do when it’s time to say goodbye. I think that’s why I haven’t had more pets – I’m afraid to sign up for the heartbreak.

Kay Kendall – I’m wildly allergic to cats, although I have survived living with a few during my early
married years. As I’ve aged, my allergies have worsened so bye-bye kitty cats. I was raised with dogs and find them more congenial anyway. I was horse crazy as a kid but couldn’t have a horse because I was allergic to their danger and hay. For the last two decades my husband and I have rescued abandoned house rabbits. Turs out I am also allergic to them too so gradually he has taken over their care. Bottom line, to me my house would not be home unless there was one dog and at least one bunny in it.

Cathy P. Perkins – I’ve always had dogs – love their antics, their unconditional love, and their simple joy in life.

Juliana Aragon Flatula – I love all animals but especially cats and dogs. I’ve had several pets and they live to be old pets and that is the saddest part of being a pet parent when you have to let them go.

Julie Mulhern – I love dogs and horses and have been fortunately to have both in my life. I am currently catering to the needs of a Weimaraner who takes all that is provided for him as his due.

Dru Ann Love – I love animals, but allergies dictate that I can’t have one in my home. We grew up with cats though.

AB Plum – My parents gave me my first dog at age 18 months. Losing a birthday-cocker spaniel gave me a story for my first university Creative Writing class (Too maudlin for the prof and earned me a C).

TK Thorne – Animals have always been part of my life - dogs, in particular, but also cats and horses,
at one time parakeets and fish. I really can’t imagine living without a dog. I believe dogs co-evolved with humans and that we affected each other. Without dogs in our development, we might be different (and worse – yes, really) creatures.

Shari Randall – When I was a little girl my family had three pets. We had a parakeet named Herbie – yes, he was named after we saw the movie, Herbie the Love Bug. After Herbie died in the middle of dinner one night, a neighborhood friend gave us an all black kitten my sister named, unimaginatively, John. John must have been a martyred king in another life – he suffered regally and without complaint three littles girls who loved to dress him up like a doll. Our last pet was a rescue mutt named Teddy, a high energy Weimaraner mix. He was a little too high energy for my mom, however, and went to live on a farm. I love cats especially, but my children have allergies, so we haven’t had any pets in years.

Linda Rodriguez – I have had dogs and cats for most of my life, always rescue animals since I have been out on my own. When I was a small child, I also had rabbits, a mynah bird, an ocelot, and a Komodo dragon as pets, because my father was into exotic animals. The mynah bird and ocelot were fine, but the Komodo dragon was vicious. I still have a soft spot for him, though, because I’m an inveterate animal lover.

Monday, March 4, 2019

It starts with a premise...

By Judy Penz Sheluk



People often ask me where I get my ideas and I always tell them "from life." That may sound trite, but it's true. And while every author, and every book, follows a different path, I will tell you this secret: It all starts with a premise. Here's another secret: there's no such thing as a unique premise. There are, however, different ways to spin the same premise. In other words, the "secret sauce" is the spin.

Consider this example:

The premise behind my 2015 amateur sleuth mystery novel, The Hanged Man's Noose, is all too familiar story: A greedy developer comes to a small town with plans to build a mega-box store on the town’s historic Main Street, thereby threatening the livelihoods of the many independent shops and restaurants. I took that premise and said, “What if someone was willing to commit murder to stop it? But remember, there are no new ideas, just different ways to spin them. Here’s the synopsis for John Sandford’s Virgil Flowers suspense novel, Shock Wave (which I read long after writing Noose, in case you were wondering.)
 


The superstore chain PyeMart has its sights set on a Minnesota river town, but two very angry groups want to stop it: local merchants fearing for their businesses, and environmentalists, predicting ecological disaster. The protests don’t seem to be slowing the project, though, until someone decides to take matters into his own hands.


The first bomb goes off on the top floor of PyeMart's headquarters. The second one explodes at the construction site itself. The blasts are meant to inflict maximum damage — and they do. Who's behind the bombs, and how far will they go?
 

Okay then, what if we were to take the same premise and turn it into a Hallmark-type Christmas movie? The synopsis would go something like this:



When a ruthless, but handsome, developer comes to a small town with plans to build a mega-box store, the local shop owners band together to stop him, led by the beautiful and widowed owner of an indie bookstore started by her late husband many years before. 

In other words, it all starts with a premise. But then again, you already knew that, didn't you?

And now it's time for the inevitable Shameless Self Promotion. The Hanged Man's Noose is currently on a .99 e-book promo on Kindle, Kobo, Nook, Apple, and GooglePlay. That's a $4 savings -- so pitter patter, let's get at 'er because the sale ends March 10th. Seriously, do you want to miss it? I think not.

Friday, March 1, 2019

We’ve Been Here All Along: 13 Ways of Looking at Latinos in the Midwest


by
Linda Rodriguez


(This essay was just published in the anthology, Stranger in a Strange Land, which benefits the ACLU. Featuring Walter Koenig, Linda Rodriguez, Patricia Abbott, Teresa Roman, R.C. Barnes, James B. Nicola, Eric Beetner, Katherine Tomlinson, Heath Lowrance, Kimmy Dee, Mark Rogers, Sheikha A., Mark Hauer, Berkeley Hunt, Manuel Royal, Kathleen Alcalá, Christine Mathewson, Veronica Marie Lewis-Shaw, Zoe Chang, and James L’Etoile. Wonderful reading! Makes a terrific gift, as well. Check it out. 


We’ve Been Here All Along: 13 Ways of Looking at Latinos in the Midwest

1.

Here in the middle of the country’s heart, I live surrounded by the liquid names I love—Arredondo, Villalobos, Siquieros, Duarte, Espinoza. We are a secret pool in the middle of this dry, often drought-cursed Bible Belt, petitioners of La Virgen de Guadalupe and Tonantzin with tall flickering novena candles set out on household altars, devourers of caldo, horchata, albondigas with tongues that roll “r”s and hiss our “z”s, dark faces, eyes, hair among all these pale ones.
How did we come to be here in a land covered in ice half the year? How did we come to this place where no parrots fly free and flowers freeze to death? Surely it was not our doing.

2.
Though larger totals of Latinos were driven out of the border states during the Depression’s forced deportations, the usually isolated communities in the Midwest were hit the hardest—in some cases, losing over half their population overnight. Those remaining kept their heads down, hoping to avoid another violent outbreak. They made their children speak only English.
Though that had not mattered. Many of those shipped to Mexico were citizens who spoke English fluently and little, if any, Spanish.
The Midwestern communities became even more invisible. They just wanted to be left alone.

3.
         When Federales chased Pancho Villa and his soldados over the countryside in and out of the small farms and ranches and the dusty little towns that supported them, each side of the conflict when it stopped for a rest would force all the men and boys in a village or on a farm to join its army. Worn out from the constant warfare of Mexico of that time, those men and boys—and their families—wanted to be left in peace. They fled to cities where men in suits from the north offered them money if they would migrate to the land of gringos to work on railroads or in meatpacking plants. The old streets-of-gold promise, and it sounded much better than getting shot in one army or another. Taking their families, they moved north to Chicago, Kansas City, and Topeka.

4.
Ironically, when the U.S. entered World War II and needed cannon fodder, politicians remembered those English-speaking, American-citizen kids. They sent military recruiters south. Large numbers of boys, driven by force from their country to a land where they didn’t speak the language and never fit in, signed up to go to Europe and the Pacific to fight for the country they loved—even if it didn’t love them.
If you didn’t read about this in your school history books, don’t be surprised. Neither did I. This whole episode was like the internment of American citizens of Japanese descent in camps during World War II. After the paroxysm was over, we as a nation only wanted to forget what we had done.

5.
The oldest Latino community in Kansas City, Kansas, was built around an entire village removed from Michoacan and settled into broken-down boxcars beside the Kaw River. When I was younger, you could still see the boxcar origins of houses in the Oakland community of Topeka, Kansas, and the Argentine district in Kansas City, Kansas. Around the core of boxcar, wood siding was added. New rooms and additions were built over the years to make real homes.
Few of these houses have survived the past four decades, but I still remember them, always surrounded with luxuriant vegetable and flower gardens in the tiny yard space around the houses—an emphatic statement of a people who could indeed make silk purses out of sows’ ears or real two- or three-bedroom homes out of broken-down boxcars.

6.
In 2007, Kansas City, Missouri, had a new mayor. He had just appointed a very active member of the local Minutemen organization to Kansas City’s most powerful board. I found the local Minutemen chapter’s website and read a call to go door-to-door in Kansas City, demanding to see proof of citizenship or legal status and making “citizen’s arrests” where the occupant could not or would not show these. It was clear from the rhetoric on the website that these would not be random visits but would target homes with occupants who had Spanish last names.
I took this threat personally. So when my friend Freda asked me to come to an emergency press conference to show solidarity, I did. Leaders of Chicano/Latino civic organizations formed the Kansas City Latino Civil Rights Task Force to fight this appointment. We were sure this would all end quickly. We were wrong, of course. It took over six months of constant effort, national groups cancelling conventions in the city, and the cooperation of African American, Jewish, and Anglo groups. Along the way, something happened that I have still to forget.
After one meeting, my friend Tino of LULAC emailed me, “This is what the Minutemen want.” Attached was a documentary video. The black and white photos of Latino families being forced into crowded boxcars reminded me powerfully of similar photos of Jewish families being loaded onto trains in Nazi-occupied areas of Europe during the same years.

7.
When the Great Depression hit, citizens of Mexican ancestry made a great scapegoat. Demagogues, sounding much like people we hear over the airwaves today, blamed them and called for mass deportations. Groups of armed vigilantes, most supported by local, state, and federal government, beat and kidnapped men walking down the street to work or home, visited homes with threats of violence and arrest, and drove families out without any of their possessions. They forced huge numbers of people without any of their belongings or food or water into railroad boxcars where the doors were locked shut and the people eventually dumped out in Mexico. The elderly, babies and pregnant women, those already sick—physically or mentally—suffered the most, and many died along the way. Twenty-five children and adults died on just one of these trains on its trip to the border.

8.
When my children were small, I would take them with me to the Westside, to Our Lady of Guadalupe Church, where the grandmothers sold fresh tamales every Saturday to support the church. We would enter the cool basement where las Guadalupeñas would coo at Crystal and Niles en español. Crystal would respond by dancing around and laughing. Niles would try to hide his face in my pant legs, clinging tightly and crying until he pressed new creases. The old women would pack the still-steaming tamales, wrapped by the dozens in foil, into a paper bag and call out goodbyes to el niñito timido.
On the way to the car, I would promise if he stopped crying we would visit La Fama, the panadería, for Mexican bread. We picked out thick, sugary cookie flags and pan dulce, carrying them all in a paper bag that began to show grease spots from the sweet treats inside before we got home.
Or perhaps I would hold out the prospect of a visit to Sanchez Market for chicharrones, the real thing, large, bubbled, almost transparent from the deep-frying that made them so light and crunchy. While there, I would stock up on peppers and spices that couldn’t be found anywhere else in town as the kids relished their big chunks of fried pork rind.
Back then, we gathered around the church and food—at weddings, after funerals, for quinceañeras, after First Communions, and at fundraisers for American GI Forum, the organization founded by decorated, returning Latino World War II veteranos when the American Legion wouldn’t allow them to join.
Many women had a specialty food—tamales, enchiladas, mole, tostadas, arroz con pollo, sopa—that they were asked to bring. You always wanted to go if they had Lupe’s mole or Jennie’s enchiladas. They were better than you could get anywhere else unless you were lucky enough to belong to Lupe’s or Jennie’s family. But these women were generous and always shared with other families who were celebrating or mourning or just raising money for beloved causes.

9.
Many of those driven out in the 1930s were legal residents or citizens, naturalized and native-born. Children born and raised in this country were forced into a country they did not know with a language they did not know and often compelled to leave behind the birth certificates that proved their citizenship. Sixty percent of the 1.2 million people driven out of the country were citizens. Many of these families who were marched to the railroad cars and shipped out like so much freight owned their own homes and even had small businesses. All of this was forfeited to the mobs that kidnapped them and sent them out of the U.S.

10.
I listen for the broken truth that speaks of what’s been stolen, what’s been cracked and smashed. Bit by bit, I try to put together pieces, fragments of what was, stories for my children to live on. I refuse the blindness and forgetfulness that would render me acceptable in my country’s eyes, this country that lies about what it did to its indigenous roots, about who provides the necessary labor for all the luxury in which we live. Our comfortable lives are built on bones, and how we long to forget!

11.
Herbert Hoover never made a formal policy of forced deportation, but elements within his government, along with state and local governments, arranged for the railroad cars and gave approval to the vigilantes. In some cases, it was actually government agents who drove people out of their homes. At times, private institutions also financed deportation boxcars. For example, the archdiocese of Kansas City, Kansas, paid for boxcars to take families out of the city, many of whom had lived there and worshipped as faithful Catholics since before the turn of the century. In fact, in southern California, hundreds of families were rounded up in 1931 as they attended Catholic services on Ash Wednesday.

12.
In Kansas City, Missouri, and Kansas City, Kansas, we have a large Chicano population that has been in the area since the turn of the twentieth century with third-generation and fourth-generation adult U.S. citizens who speak primarily (and often only) English, have college educations, and work as professionals. We also have a large, newer population, deriving from Central and South America as much as from Mexico, as often as not completely indigenous with little or no Spanish, speaking Nahuatl, Quechua, Q'eqchi'.
I have often thought the great public horror evinced about this new wave of immigrants is due to their indigenous nature. The United States can hardly bear to see such large numbers of indigenous people as anything but threat when this country has worked so long and so hard at wiping out its own indigenous peoples through violence, disease, “education,” and the blood quantum rule the BIA has imposed on our indigenous nations that still endure.
My son Niles took a one-week European vacation. He flew home from London by way of Detroit. In Detroit, this non-Spanish-speaking, second-generation American citizen (on his father’s side), born and raised in Kansas City, Missouri, was held for over 24 hours by immigration authorities and refused entry into his own country, even though he had a passport. They were certain he was an illegal immigrant from Mexico trying to sneak into the U.S.
         Neither his valid documents nor his non-accented, perfectly colloquial English could outweigh his brown skin and Spanish last name. He was released and allowed to enter his own country only after his white boss confirmed over the telephone that he was a citizen and had been gainfully employed in a high-level professional position for seven years.
         To me, this is doubly galling because Niles is not only Chicano but also Cherokee and Choctaw. My children and I have several lines of ancestors who go back to the time before there was a United States of America. I have always since wondered just exactly how many illegal immigrants from Mexico named Niles have flown to England and toured the Continent before trying to sneak into the U.S. on a flight from London.

13.
People always are surprised to find Latinos in Kansas City—anywhere in the Midwest. We’re only supposed to congregate in Miami, New York, El Paso, Phoenix, and LA.
Sometimes I want to ask, “Who did you think picked all those fruits and vegetables from the breadbasket of the country? Who worked in the meatpacking hellholes, if not the Mexicans and Indians? Who kept the trains cleaned, painted, and running, if not the African Americans and Mexicans?”
Always the invisible poor, laborers doing the work no one else wanted. Now, it’s roofing and gardening, cleaning hotel rooms and offices at night.
We’ve been here a long time, long enough to lose our language sometimes, while we were gaining diplomas and degrees, but never to lose our culture completely. The newcomers make you nervous, afraid. But we’ve been here all along—you just never noticed.



Thursday, February 28, 2019

Sandra Cisneros and the Macondo Writers' Foundation by Juliana Aragon Fatula

"Macondo began in 1995 when author Sandra Cisneros gathered a group of writers, artists, scholars and activists around her dining table in her King William home to meet informally for rigorous writing workshops. As such we have very established traditions and expectations that include a formal application process aimed at professional writers of all genres, and the “Compassionate Code of Conduct,” a document drafted by a group of former Macondistas outlining the principles and ethics that govern our organization. We have over two hundred lifetime members, many of whom have been with us from the beginning. Macondo has grown and solidified itself as a space of intense artistic and cultural creativity where writers, artists, thinkers, scholars, and critics can come together and inspire and challenge one another in order to incite change in our respective communities." Reprinted from the Macondo Foundation website.

In July 2011, I travelled to San Antonio to attend my first Macondo Foundation Writers' Workshop with Sandra Cisneros and her Macondistas. Since it was my first year, I was called a Mocosa, but now that I've been accepted I can call myself a Macondista. I'm very proud to be part of this organization. Today I'd like to tell a story about how I met Sandra, applied to her foundation, travelled to San Antonio, Texas, and made a lasting impression on all who attended that year. 

I had just published my first book of poetry, Crazy Chicana in Catholic City by Ghost Road Press in Denver. Later a second edition was published by Conundrum Press.  I met Sandra Cisneros when I attended an All Pueblo Reads Benefit Ball at the Rawlings Library. She had been a role model for me since I read her classic, House on Mango Street, in college. I brought a copy of my book to the dinner and handed it to her when she came to our table. I was sitting in the cheap seats, way in the back of the room. Sandra greeted her guests and worked her way all the way back to our table. I made the decision to give her a gift of my poetry book. No expectations. Just a gift. 

She asked me to sign it and I gladly obliged. That evening she returned to her hotel room and read my book cover to cover. It only takes about an hour. The next day we attended a reading she did at the library and she saw me sitting in the front row. I was sitting with friends and my college professors from CSU Pueblo's English Department and Chicano Studies Department. 

She told the crowd about my gift, my book, and how it had moved her and inspired her to write poetry. The crowd and I were dumbfounded. My professors looked at me like I was on fire. Inside I was ablaze basking in her praise of my book and my poetry.  She told the crowd that they should read my book because it was remarkable. I don't remember her exact words but she spent a good five minutes at her reading praising my work. Then she asked if I had any copies with me to sell along with her at her book signing afterword. I happened to have a small box in my trunk. 

She asked the library to set me up next to her and I sold copies of my book and signed them along side my mentor and Chicana Icon. I felt spellbound with her magnetism. She carried herself like a queen but treated everyone like they were old friends. There was nothing haughty about her. She gave me an excellent example of how to conduct myself at a book signing. 

We took photos together and she signed my copies of her books and whispered to me. Your poetry makes me want to write poetry. She told me to  use that to promote my book. I was stunned. Then she told me about her foundation the Macondo Foundation and invited me to apply for membership. She warned me that it was tough to get accepted and not to get discouraged and keep trying the following year if I didn't get in the first time. 

So I did as she suggested. The second year I was invited to attend my first Macondo Writers' Workshop in Texas at the Lady of the Lake University in San Antonio. I bravely held a yard sale and sold my belongings to strangers to earn enough money for traveling and meals. 

When I arrived at the dorms, I realized I needed a few things from the store for my room. I walked to the nearest Goodwill and bought what I needed. I don't recall if I told the cashier that this was my second time visiting San Antonio, or if I bragged about why I was visiting. It's all a blur. But someone in the store may have heard me and realized I was a tourist and easy prey. Tourists have money, right. 

I returned to my dorm room set my purse down next to my laptop computer and stepped inside the bathroom to wash my hands. I heard a tremendous crash outside my door and when I peeked out the door, I saw a shadow rush out my room, down the hall, and down the stairs. I had been robbed. My wallet, with ID, credit cards, cash had been snatched along with my laptop. 

For a moment I thought I was being punked by the Macondistas as a Mocosa. When I realized I'd been robbed we contacted the police and I gave a statement to a very good looking Latino man. I felt embarrassed at my stupidity of not locking my dorm door when I returned. I left my door open hoping the other writers would realize I was there and wanted to meet them. I met them and soon everyone in the hall was introducing me as the chick that just got robbed. Nothing like this had happened before. 

Sandra was notified and contacted me immediately to be sure I was unharmed. She asked if my manuscript had been stolen with my laptop. I had my manuscript on a thumb drive in my make up bag. It was not stolen. She asked the other writers to help me with paying for meals and to take me out to dinner. One writer donated cash to me to help. 

I met some generous, wonderful people from all over the country. Writers of every marginalized society. Writers of color, LGBTQ writers, men and women with a common goal. To help other marginalized writers like them. 

At the end of the week, I attended a celebration at a local nightclub. Sandra was the guest and MC. She came on stage dressed as Glenda the Good Witch from the Wizard of OZ. She had a crown, a ballgown, a wand, and entertained as only Sandra can. She never mentioned me or my robbery. 

The next day there was a scheduled reading for the Macondistas at the University. Sandra explained what had happened to me without pointing me out to the crowd and asked everyone to bid on her Glenda the Good Witch costume from the previous night to buy me a new laptop. I had no idea of any of her plans. I was shocked when they raised enough money in about ten minutes to replace my stolen laptop.


The generosity of Sandra and her Macondistas has always stayed with me. The next time I attended Macondo was 2015? This trip we stayed at a hotel and worked out of the Guadalupe Cultural Arts Center. My second visit I met another set of Macondistas and felt equally accepted into the fold. 

This year I'm unable to attend but plan on saving money for next year's workshop in July. However, I have been given the honor of being on the reading committee to select the new entries into Macondo for the fiction genre. I'm looking forward to reading all of the submissions and evaluating them for being accepted into the foundation.  I've done this previously for poetry for the High Plains Book Awards Festival in Billings, MT. I feel honored and excited to be included in this process. I look forward to meeting some of the new Macondistas when I attend in the future.