Showing posts with label #DetectiveParrottMysteryseries. Show all posts
Showing posts with label #DetectiveParrottMysteryseries. Show all posts

Tuesday, October 20, 2020

 

Write What You Know

by Saralyn Richard

Back in the day, there were certain rules a writer had to observe. Show, don’t tell. Always use complete sentences. Write what you know.

The logic behind these rules was impeccable, and, all innovation to the contrary, most writers still observe them today, at least most of the time.

When my Detective Parrott Mystery series, including MURDER IN THE ONE PERCENT, and A PALETTE FOR LOVE AND MURDER, was published, readers assumed I was a part of the country’s top one percent. Otherwise, how did I know so many of the details surrounding how the rich and powerful dressed, ate, drank, and partied?

Truthfully, I did attend an elegant party in Brandywine Valley, and that inspired the party in MURDER IN THE ONE PERCENT, but all of the details about the one percent came from research. (Sorry to disappoint, but, no, I do not have fifty pairs of Christian Louboutin heels in my closet.)




How did I portray all of the books’ characters and home interiors so authentically? I observed, I asked questions, and I shopped online at all of the most exclusive stores (without spending a dime).

I’ve been asked many times how I was able to depict Detective Oliver Parrott so genuinely, since I am neither young, male, nor African-American. That must have been a real departure from writing what you know, right? Wrong.

As an urban high school educator, I’ve known hundreds, maybe thousands, of young African-American males, many of them as intelligent, ambitious, hard-working, and down-to-earth as Detective Parrott. I’ve known their struggles, their families, and their dreams. I’ve celebrated their joys and grieved their sorrows. I’ve listened to them speak and watched them perform.




Detective Parrott is an amalgamation of many fine young men who have taken their places in society and who strive to make a difference with their lives. He is definitely an example of writing what I know.

Similarly, I drew from my experiences as a teacher, administrator, and school improvement consultant in urban high schools to write the upcoming release, A MURDER OF PRINCIPAL. Although the story is fictional, it pulls back the curtain on the joys and challenges within a large school community, and the issues of gangs, grievances, sexual harassment, and race are ever-so relevant today.

Whether I’m writing about billionaire playboys or disadvantaged football players, whether I researched or remembered, I’m writing what I know. And I hope my characters will resonate with you, too.

What books have you read that transported you out of your own experience?

 


Award-winning mystery and children’s book author, Saralyn Richard has drawn from her experiences as an urban high school educator to write A Murder of Principal. Her previous books, Naughty Nana, Murder in the One Percent, and A Palette for Love and Murder, have delighted children and adults, alike. An active member of International Thriller Writers and Mystery Writers of America, Saralyn teaches creative writing at the Osher Lifelong Learning Institute, and continues to write mysteries. Reviews, media, and tour schedule may be found at http://saralynrichard.com.




A maverick principal comes to Lincoln High School with a student-centered agenda. Trouble ensues, and killing the principal is just the beginning. A MURDER OF PRINCIPAL is available for pre-order at https://www.amazon.com/Murder-Principal-Saralyn-Richard-ebook/dp/B08KWLZ9JP/ref=

 


 

Tuesday, March 17, 2020

What Makes Excellent Writing?





What Makes Excellent Writing?
by Saralyn Richard

I’ve taught creative writing off and on for years. It was an elective for upper class students in a large suburban Chicago high school. Part of our curriculum was to produce a literary magazine each year, and we entered our work in a National Council of Teachers of English contest. Oftentimes we won awards for our content or layout, and quite a few of my students went on to become successful writers.
Now I teach creative writing to adults aged 55 or older at the Osher Lifelong Learning Institute. I’m finding the learners to be extremely motivated. The problem for them is not choosing what to write about, but choosing which of many ideas and experiences to write about first. My learners are serious, thoughtful, observant, experienced, and well-read. Their responses to assignments are creative and clever, worthy of being submitted for contests or publication.
I’m often asked what makes excellent creative writing, and when I consider possible replies, I find the same things apply to both high school writers and adult writers.




The first element of fine writing, in my opinion, is the ability to imagine and bring to life one or more relatable characters. These characters do not have to be alter-egos of the author who creates them. They don’t even need to be the same gender, race, creed, or age. They don’t need to be perfect; in fact, perfection would be a detriment to being relatable for readers.
How do authors come out of themselves enough to paint a realistic word-portrait of characters who are unlike them? The process for me is similar to what an actor does in assuming a role for a play. When I’m writing about a character, I immerse myself into the body and mind of that person. I lose my own identity as I write the scenes where my character speaks and thinks and acts.


Another fine point of excellent writing is awareness of theme. I use the term “theme” to mean the overall purpose for the story. When the author consciously crafts the writing based on a specific purpose, all of the narration, exposition, description, and dialogue fall into place, unifying the readers’ experience. I’ve read many sagas that took me across generations and geographical locations without tying the chapters and sections together, and they’ve left me wondering about the author’s intent. My favorite tales lead me to some truth, some higher awareness about life or people.

Of course there are many other important strategies and methods in a writer’s toolkit. As a creative writing teacher, I encourage my students to practice them all. As a writer, myself, I strive to do the same. The two books in the Detective Oliver Parrott Mystery series, Murder in the One Percent and A Palette for Love and Murder, have thoroughly imagined characters and (hopefully) articulated themes.

I’m excited to discuss these and other topics with the Stiletto Gang readers. Whatever questions you have about creative writing, I’m interested. 



 


Award-winning mystery and children’s book author, Saralyn Richard, is a writer who teaches on the side. Her books, Naughty Nana, Murder in the One Percent, and A Palette for Love and Murder, have delighted children and adults, alike. A member of International Thriller Writers and Mystery Writers of America, Saralyn teaches creative writing at the Osher Lifelong Learning Institute, and continues to write mysteries. Reviews, media, and tour schedule may be found at http://saralynrichard.com.

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 “A compelling story of worlds in collision, A Palette for Love and Murder plumbs the depths of love and the human heart.”
                                                         --William Kent Krueger, author of This Tender Land

“Delightful! Saralyn Richard weaves a deeply twisty mystery around vibrant characters that will leave readers looking forward to more.” —LynDee Walker, Agatha Award-nominated author of Front Page Fatality

“Smart, stylish and sexy, this art world caper delights with its verve and wit. The character studies are wonderful, and Oliver and Tonya Parrott are an irresistible pair.”                                           – Ausma Zehanat Khan, author of A Deadly Divide