Lesson from Bon Jovi: “Do What You Can”

By Kathryn Lane

When I give presentations on writing, I’m often asked if I’ve experienced writer’s block – a slowdown of creativity or the inability to create a new work.

When my creativity slows, I turn to researching topics I’m writing about and that attracts my creative angels again. But I’ve heard stories of how dreadful writer’s block can be. Truman Capote spent the last ten years of his life speaking about the masterpiece he was writing, a work that never materialized and possibly caused the stress that triggered his nervous breakdown. How sad is that? 

On the other hand, Gabriel Garcia Marquez, often spoke of his inability to progress on “One Hundred Years of Solitude.” He gave up and drove his family from Mexico City, where they were living, to the seaside resort of Acapulco for vacation. They were just arriving at the bay of Acapulco when he stopped the car and turned around, explaining to his wife that he now clearly saw the premise for “One Hundred Years of Solitude.” Skipping vacation, he drove back to Mexico City, sat at his typewriter, and banged out his masterpiece, the novel which undoubtedly won the Nobel Prize in literature for him.

So what happens when a writer hits a wall?

 

Recent news about a song in the upcoming album 

When Bon Jovi’s tour was cancelled due to COVID-19, he didn’t just stay home and fret. No, he stepped in as dishwasher at his JBJ Soul Kitchen in Red Bank, New Jersey – a restaurant he established years ago which often provides food to those in need.

 

An Instagram posting showing him washing dishes, stated “When you can’t do what you do, then do what you can.” That inspired him to create the song “Do What You Can.”

 

The lesson in Bon Jovi’s action is to turn disappointment around when facing adversity. If it’s writer’s block or any type of setback, flip it over by doing what you can, rather than forcing yourself to do what you normally do. Until inspiration hits again!

  

If I experience writer’s block and turn to dish washing, I think my creativity would return very quickly!

 

Ever had writer’s block? How did you overcome it?

Kathryn’s books – The Nikki Garcia Thriller series and her short story collection – Backyard Volcano. All available on Amazon.

Kathryn Lane started out as a starving artist. To earn a living, she became a certified public accountant and embarked on a career in international finance with a major multinational corporation. After two decades, she left the corporate world to plunge into writing mystery and suspense thrillers. In her stories, Kathryn draws deeply from

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Checking Out Some Great “How To” Writing Guidelines

by Paula Gail Benson

 

Lately, I’ve been coming across a number of online articles that express succinctly how certain forms of genre fiction should be written. Here are a few I’ve discovered:

 

Dennis Palumbo wrote “Taking the Mystery Out of How to Write a Mystery” (https://www.writersstore.com/taking-the-mystery-out-of-writing-mysteries/). He lists three important elements: : “1) establishing the unique character of the protagonist, 2) making narrative use of the world in which the story takes place, and 3) planting clues (remember, only a few) that derive from the particular aspects of that world.” Palumbo recommends that writers consider what makes them unique and their own backgrounds in developing their protagonists and settings.

 

Chuck Wendig provides “25 Things Writers Should Know About Creating Mystery” (http://terribleminds.com/ramble/2012/05/08/25-things-writers-should-know-about-creating-mystery/). He describes a mystery as an incomplete equation. Even though readers know the answer will be revealed by the end, “[a] good story traps us in the moment and compels us by its incompleteness.” Readers want to be part of the process. “[S]ometimes creating mystery is not an act of asking a question but the deed of providing a clearly incorrect answer. Let the audience seek the truth by showing them a lie.” And, it’s important for plot and character to be intricately intertwined. “Plot, after all, is like Soylent Green — it’s made of people.”

 

Ginny Wiehardt gives us the ten “Top Rules for Mystery Writing” (https://www.thebalancecareers.com/top-rules-for-mystery-writing-1277089). Her article is written about mystery novels, but the suggestions are easily adapted to short stories. She points out that people read mysteries for a “particular experience.” They want the opportunity to solve the crime and they expect all to turn out well in the end. Reading many mysteries to see how “the rules” have been applied in those stories will be helpful to a writer, and understanding “the rules” in order to better meet reader expectations will help a writer craft a better mystery story. Among her recommendations are to introduce the detective, culprit, and crime early and wait until the last possible moment to reveal the culprit.

 

Peter Derk explains the “The 8 Keys to a Good Heist Story” (https://litreactor.com/columns/the-8-keys-to-a-good-heist-story). “A good heist has a planning stage, execution stage, and an escape. They can be in different proportions, but if your story is missing one of the three, it won’t pass muster.” Derk says there must be complications and a reason to root for success. Also, he suggests taking care in putting the team together and having a reason behind the operation that is greater than monetary gain.

 

Dr. David Lewis Anderson gives a good description of “Time Travel in Science Fiction” (http://andersoninstitute.com/time-travel-in-science-fiction.html). He offers a historical analysis of science fiction stories that have used time travel, but he also explores the elements writers have developed through those stories.

 

In his “6 Secrets to Creating and Sustaining Suspense,” (http://www.writersdigest.com/online-editor/6-secrets-to-creating-and-sustaining-suspense) Steven James evaluates how to add suspense in mystery, thriller, and literary stories. He suggests the key is to give readers something to worry about, then explains how to do that.

 

Finally, Jan Ellison offers “9 Practical Tricks for Writing Your First Novel” (http://www.writersdigest.com/online-editor/9-practical-tricks-for-writing-your-first-novel). Two of her recommendations that I found interesting were to set writing goals that are completely within your control and keep working on a poem while writing your novel. The poem allows you freedom of expression and provides a way to get started with your writing.

 

Have you read any writing “how to” articles lately?